Josh Diaz from Forkright Films explores ARRI’s newest line of prime lenses: The ARRI Enso Primes.

A few quick shots from Forkright Films at Nuit Blanche Winnipeg 2024.

Forkright Films shares some cinematic drone and driving shots of Winnipeg, Manitoba.

We discuss the potential implications of Sony's rumored 24-70mm f/2.0 Gmaster Zoom Lens.

In this video we break down the techniques used to create a small corporate interview.

In this video we test the cheapest wireless video transmission system on the market to see if it’s worth buying.

The team at Forkright Films travels to Maui to capture some drone footage for you to use in your next project!

Follow our Director of Photography, Josh Diaz, as he walks through several different ways to build one of our cinema cameras.

Forkright Films heads to Kenora to capture a special charity event.

Nikon has aqcuired RED Digital Cinema in what may big the largest change up to the consumer camera landscape in the last decade. What does this mean for cinematographers, filmmakers, and video shooters? Let’s discuss.

While the other camera brands are creating innovative new lenses, Sony has decided to go the opposite route and create a lens that nobody asked for.

Zeiss is back with a new line of cinema lenses created specifically for mirrorless cameras. Will this be the new standard?

What happened to the world’s most popular flash trigger technology company?

We explore the legacy of the Sony Alpha line of mirrorless cameras by going over every single Full-Frame camera release from Sony.

The Proaim Victor Lite Video Production Cart is a budget travel cart for Camera Operators and Filmmakers alike. Watch as Joshua Diaz from Forkright Films builds the cart in less than 5 minutes.

Sigma has announced the specs for its long anticipated 70-200mm F/2.8 Sports lens for the Sony E-Mount system.

Josh Diaz gives his first impressions on the newly announced Nikon ZF Mirrorless camera.

Josh Diaz from Forkright Films reviews the specs of the new DJI Mini 4 Pro.